Jill Purce

Pioneer of Sound Healing & Overtone Chanting
There is a pervasive sense of disenchantment in the world today—I mean this quite literally, there is a complete lack of chant in our modern lives. Chanting is the easiest way to meditate, and through directing vibrations to specific parts of the body, it rings the bell of your being, inducing vibrational coherence and helping shake loose disruptive trauma.

Jill Purce is a British voice teacher, Family Constellations therapist, and author who pioneered the international sound healing movement in the 1970s through her rediscovery of ancient vocal techniques, introducing the teaching of group overtone chanting (producing a single note whilst amplifying vocal harmonics), and demonstrating the spiritual potential of the voice as a magical instrument for healing and meditation. After her postgraduate Fellowship in the Biophysics Department at King’s College London working with Maurice Wilkins (Nobel Prize for DNA), with whom she dialogued on the relationship between art, science and spirituality, Purce lived and worked between 1971-1974 in Kürten with German composer Karlheinz Stockhausen exploring the spiritual dimension of music, learned overtone chanting in the Himalayas with Tenpa Gyaltsen (chant master of the Gyutö Tibetan Monastery) and Mongolian Khöömii master Yavgaan, and has followed the philosophy and practice of Dzogchen since 1978 when she began working with Tibetan Lama Namkhai Norbu Rinpoche.

Her seminal 1974 book “The Mystic Spiral: Journey of the Soul” about the spiral in sacred traditions, art and psychology was a major influence, while the BBC made an hour-long documentary “More Ways Than One: The Mystic Spiral” about Jill and her work that same year, and she produced over 30 books as General Editor of the Thames and Hudson Art and Imagination series, pioneering a thematic approach to the spiritual and psychological meanings of art across different cultures. Purce pioneered the practice of healing family and ancestral traumas with her Healing Family and Ancestors workshops (developed over the past 25 years), combining Family Constellations, chant and ceremony in a unique process that transforms ancestors into benign allies and powerful guides, while activating the mandala as living practice with her extended Mandala Ceremonies, and the Bishop of California credits her contribution to the 1990s installation of the labyrinths in Grace Cathedral, San Francisco, stating “She helped inspire the birth of the modern labyrinth movement—Jill’s groundbreaking work with the labyrinth was inspiring, informative and important…it couldn’t have been done without her work.”

Purce lectures and conducts workshops internationally, especially The Healing Voice, guiding non-singers and singers in pursuing the lost voice while teaching the English National Opera, English Shakespeare Company, hospitals, schools, monastic communities (including enclosed Christian monasteries teaching overtone chanting to reinvigorate contemplative aspects of Gregorian chant), and businesses, with her vocal recordings including “Overtone Chanting Meditations” and “The Healing Voice.” Living in London with her husband Rupert Sheldrake (biologist known for morphic resonance hypothesis) and their two sons—Cosmo Sheldrake (professional musician and composer) and Merlin Sheldrake (biologist and author of “Entangled Life”)—Purce has served as visiting lecturer at the California Institute of Integral Studies from 1984-2014 and launched monthly livestream workshops in 2020, continuing to explore how voice and sound create vibrational coherence that connects practitioners to the greater chain of resonance permeating both physical and spiritual realms.

Why their voice matters: Purce demonstrates that the human voice serves as a bridge between body and mind, introducing overtone chanting and group vocal practices to the West as accessible tools for healing, meditation, and transformation, while her pioneering integration of chant with Family Constellations provides frameworks for honoring and healing ancestral patterns, showing how ancient vocal traditions adapted for contemporary contexts can re-enchant modern life, create communal resonance, and transform inherited traumas into sources of guidance and strength.