Sisyphus was a king of Corinth, legendary for his cunning—so clever and deceitful that he cheated death itself, twice. The first time, he tricked Thanatos, the god of death, into chaining himself up, so that no mortal could die until Ares intervened and freed him. The second time, Sisyphus talked his way back from the underworld, convincing Persephone to let him return to the living world to settle unfinished business. He stayed for years.
When the gods finally recaptured him, they devised a punishment precisely matched to his character: Sisyphus was condemned to roll an enormous boulder up a steep hill for eternity. Each time he nears the top, the boulder escapes his grip and rolls back down. He descends, picks it up, and begins again. Forever.
The myth has fascinated philosophers for millennia—most famously Albert Camus, who argued in his 1942 essay that Sisyphus represents the human condition itself: the absurdity of existence, the futile repetition of effort, and—in Camus’s radical reading—the possibility of finding meaning anyway. “One must imagine Sisyphus happy,” he wrote.